the living stone

the living stone

the solid rock Introduction I created The Heart of Stone in 2018 as an artwork. My concept brings back the image of a stone that appears to be inanimate, cold, hard, and heavy. How could I revive the stone? In my perception, I rekindled it. The stone had air in it, so it could repeatedly swell and shrink by referring to the way the heart works. The making of establishment workmanship applied living and reviving something. This thought was impacted by the hypothesis of quantum. Humans have shown evidence of their presence and group since the Paleolithic. The sign’s giving could be interpreted as an ancient human’s way of navigating culture, space, myths, and the macrocosmos-microcosmos. This sign continues to refer to symbols in a new light, such as the lingga yoni, totem, monument, temple, Meru, and pagoda, among others. They gave their names on high piles of stones that were carved into the shape of menhir and continued to lingga-yoni as monuments. The new signs have new religious and mystical meanings. becoming a place of spiritual reflection. Which began as a human pusering Jagad and later evolved into space as the universe’s center. The spaces are designed as worship centers. Advises regarding chapels, sanctuaries, or mosques. which began as the primary indicator of pusering jagad in stone. As per Rupert Sheldrake (2012) different perspectives on the universe from the conventional Christian time to the realism period. Before the seventeenth 100 years, individuals accepted that the universe resembled a creature thinking about that nature was alive. In the seventeenth 100 years, traditional material science created, uncovering that the universe resembled a bunch of a colossal machines. From 1780 to 1830 in the Heartfelt development, individuals saw nature as a living animal as opposed to a mechanical one. These concepts were applied to science by Friedrich von Schelling (1707), and they debated the material of rekindled. Creature or all encompassing way of thinking regards the entire nature as something alive, for this situation, it is the refreshed pra mechanical animism. Indeed, even particles, atoms, and gems are organic entities. The organismal philosophy demonstrated that wholeness, which consists of intact parts on a lower level, can be observed in nature at any level or scale. The universe as a living organism and the universe as a machine are the two perspectives that can be drawn from the above world views of the universe. In my artwork, the conclusion can serve as the fundamental assumption. The living stone is one way that an artwork could make the audience think differently. It would rekindle the physical stone that had died. How is the route? I would like the stone to move. The developments could be different, it very well may be moved, rolling, or it might move just on its surface. with the evolution of the quantum theory’s foundation and the idea of reviving inanimate objects. The idea of reviving inanimate objects in the artwork change is sparked by the theory. According to quantum theory, every material is made up of tiny pieces that are not inanimate objects but rather constantly moving things. Seen in a large scale way, our encompassing nature might look uninvolved, static, or dead. Notwithstanding, when it is dissected exhaustively to the littlest parts, the articles which once looked inactive, static, and dead will appear to be unique, and open to be deciphered and utilized as anything (Dwi Marianto, 2011,p. 90). How is the method of reviving the lifeless thing?. The simplest method is to move only its surface, similar to how a human’s stomach or breast skin pulsates when he breathes. By moving a portion of the stone, it gives the impression of being pulsating, giving the impression to the audience that the stone is alive. It is one of the methods for disrupting the audience’s perception. From the possibility of the living stone, I might want to apply it to my establishment craftsmanship by investigating the room compositionally with the reference to the subject above and how is the procedure to introduce the topic.